| |
|
| Preface |
Adam Jones |
| |
|
| “All My Inner
Self Protested” |
Raphael Lemkin
|
| |
|
Lost Worlds
(Diego Rivera, “La Gran Tenochtitlán”)
|
John M. Cox
|
| |
|
The Wound at the Heart
of the World
(The Mission)
|
Christopher
Powell |
| |
|
“A Bargain Indeed”
(Buffy Sainte-Marie, “My Country ’Tis of Thy
People You’re Dying”)
|
Ward Churchill
|
| |
|
The Westering Holocaust
(Cormac McCarthy, Blood Meridian)
|
Benjamin
Whitmer |
| |
|
| My Grandfather’s
Testimony |
Sara Cohan
|
| |
|
Werfel, Musa Dagh,
and the Armenian Genocide
(Franz Werfel, The Forty Days of Musa Dagh)
|
William Schabas
|
| |
|
“The Desire
to Communicate Something of My Torment”
(Armin T. Wegner: photographs and letters )
|
Nina Krieger
|
| |
|
Warning: Here There
Be Experts
(Bernard Lewis, The Emergence of Modern Turkey)
|
Benjamin
Lieberman |
| |
|
| Conspiracy of Silence
(Voices from the Lake) |
Ani Kalayjian
|
| |
|
Discovering the Haitian
Massacre Edward Paulino
(The Norweb communiqué) |
Edward Paulino
|
| |
|
Where It All Began
(Stefan Lorant, I Was Hitler’s Prisoner)
|
Paul R. Bartrop
|
| |
|
Documenting Torture
in the Early Nazi Camps
(Karl Schwesig, Schlegelkeller)
|
Joseph Robert White
|
| |
|
Sexuality and Genocide
(Magnus Hirschfeld)
|
Jack Nusan
Porter |
| |
|
The Multiple Meanings
of Lidice
(Monument to the Child Victims of War)
|
Atenea Acevedo
|
| |
|
A Boy Who Refused
to Grow Up, and One Who Did
(Günter Grass, The Tin Drum)
|
Michael Hayse
|
| |
|
A Tale of Two Children
(Hans Peter Richter, Mon Ami Frédéric)
|
Diane F.
Afoumado |
| |
|
The Attic and the
Imagination
(Anne Frank: The Diary of a Young Girl)
|
Jina Moore
|
| |
|
Lessing’s Wisdom
(Gotthold Ephraim Lessing, Nathan the Wise)
|
Viktoria
Hertling |
| |
|
Not the Holocaust
Memorial
(Or-Sarua Synagogue, Vienna)
|
Pam Maclean
|
| |
|
The Processes of Destruction
(Raul Hilberg, The Destruction of the European Jews)
|
Joyce Apsel
|
| |
|
The Look of Terror
(The Shop on Main Street)
|
Robert Skloot
|
| |
|
The Role of the Bystander
(Elie Wiesel, “The Town Beyond the Wall”)
|
Fred Grünfeld
|
| |
|
“Revisiting
Again and Again the Kingdom of Night”
(Elie Wiesel, Night)
|
Steven L.
Jacobs |
| |
|
Will Only the Darkness
Remain?
(Elie Wiesel, Night)
|
John K. Roth
|
| |
|
The Holocaust as the
Holocaust
(The Grey Zone)
|
Jonathan
C. Friedman |
| |
|
Keeping Memory Alive
(Primo Levi)
|
Henry Maitles
|
| |
|
Identity and Contested
Authenticity
(Binjamin Wilkomirski, Fragments)
|
Dominik
J. Schaller |
| |
|
The Language of Klemperer
(Victor Klemperer, LTI: Lingua Tertii Imperii)
|
Jens Meierhenrich
|
| |
|
Trauma and Transcendence
(Viktor E. Frankl, Man’s Search for Meaning)
|
William L.
Hewitt |
| |
|
On Visiting the Auschwitz
Museum
(State Museum of Auschwitz-Birkenau)
|
Jacques Sémelin
|
| |
|
At the Wall
(Judy Ellis Glickman, “Execution Wall”)
|
Alexander
George |
| |
|
“The Wealth
of All Humanity”
(Train of Life)
|
Donna-Lee
Frieze |
| |
|
Confronting the Porrajmos
(Alexander Ramati, And the Violins Stopped Playing)
|
Fiona de
Londras |
| |
|
There’s No Place
Like Home
(The Illustrated Auschwitz)
|
Simone Gigliotti
|
| |
|
Genocide and the Shock
Process in Conceptual Art
(Zbigniew Libera, LEGO Concentration Camp)
|
Stephen C.
Feinstein |
| |
|
The Moral Capital
of the World
(Weapons of the Spirit)
|
Winton Higgins
|
| |
|
“You and I,
We Must Change the World”
(Raphael Lemkin, photographed by Hans Knopf)
|
Helen Bond
|
| |
|
Eichmann, Mulisch
and Me
(Harry Mulisch, De Zaak)
|
G. Jan Colijn
|
| |
|
Ugliness and Distance
(Hannah Arendt, Eichmann in Jerusalem)
|
Eric Gordy
|
| |
|
| Color Plates I, II,
III, IV, V, VI, VII, VIII |
|
| |
|
Morality, Indifference,
and Evil
(Gitta Sereny, Albert Speer: His Battle with Truth)
|
Ernesto
Verdeja |
| |
|
Journey through Denial
(Walter Sanning, The Dissolution of Eastern European Jewry)
|
John C. Zimmerman |
| |
|
At Seventeen
(Amnesty International, Cambodia photo exhibition)
|
Lee Ann Fujii
|
| |
|
Beyond Good and Evil
(The Killing Fields)
|
Scott Laderman
|
| |
|
The Horror
(Apocalypse Now)
|
Stefanie
Rixecker |
| |
|
Apocalypse Soon
(Midnight Oil, “Hercules”)
|
Adam Jones
|
| |
|
The Question of the
Act
(The Act in Question)
|
Lior Zylberman
|
| |
|
Photography, Memory,
and Denial
(Jonathan Moller, photographs from Guatemala)
|
Marcia Esparza
|
| |
|
Images of Impunity
(Guatemala crime scene photos)
|
Victoria
Sanford |
| |
|
A Reluctant Genocide
Activist
(US Defense Intelligence Agency document)
|
Thomas Nagy
|
| |
|
Children’s Photos
(Early photos of Saddam Hussein and Adolf Hitler)
|
Daniel H.
Magilow |
| |
|
The Face of Genocide
(Photo by Ron Haviv, from Blood and Honey)
|
Donna-Lee
Frieze |
| |
|
The Death of “King”
Habyarimana
(Cartoon in Kangura, Rwanda)
|
Christopher
C. Taylor |
| |
|
A Simple Task
Greg Barker (dir.), Ghosts of Rwanda (2004)
|
Shayna C.
Parekh |
| |
|
“Never Again,”
Again
(Pablo Picasso, “Guernica”; Dachau and Kigali
memorials)
|
David J.
Simon |
| |
|
Dili on Fire
(Landsat photo of East Timor)
|
Russell
Schimmer |
| |
|
Different Kinds of
People
(American History X)
|
Wendy C.
Hamblet |
| |
|
“The Enemy We
Seek To Destroy”
(“I, Borg,” episode of Star Trek: The Next
Generation)
|
R. Charli
Carpenter |
| |
|
Brotherhood
(Octavio Paz, “Hermandad”)
|
Alex Hinton
|
| |
|
“A Single Child”
(Paul Jeffrey photo; Ursula K. Le Guin,“The Ones
Who Walk Away from Omelas”)
|
Eric Reeves
|
| |
|
|
About the Editor |
|
| |
|
|
About the Cover Image
|
|
| |
|
|
About the Contributors
|
|
| |
|
|
Resources and Further
Readings |
|
| |
|
| Index |
|
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|
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